01-16-2011, 12:00 AM
"....the universe itself is the chariot of intensity and that one can board it to journey through changes without end".
The
Universe is a Chariot of Intensity!!!! I am aware that this is an
incomplete thought this post and its an ongoing
work, the surrendering to such truths.
Intensity.
Ive been contemplating this subject recently a lot. I have always been
an "intensity junkie" and yet I have also been aware that there are
levels of intensity too much for me to bear at times. Sometimes
situations can cause a shift of assemblage point with the accompanying
intensity and it feels almost too much to bear. Such as certain intimate
encounters....that feeling of complete unity can be too much to bear.
Even had it with a client the other day. We got talking and very quickly
realised we both 'know' and we felt the unity strongly, and it was so
intense and intimate....and I had my professional hat on and all, and it
took me a bit by surprise. Awkward moment as we regrouped our inners in
the professional purpose of our meeting. I am laughing as I remember
how at times I have found something to say in bed, just to break the
intensity. At other times, we might eat something when we are not
hungry, just to slow the vibrational rate to a more familiar and
manageable level. All kinds of ways of avoiding it exist aplenty. All
the self talk and inner dialogue we generate is a way of avoiding
intensity, as are all beliefs and attachments, gossip, TV....the list
goes on....our ego's hate the intensity.
I
am aware that the daily exercise I do is partly to cope with increasing
energy and intensity in the physical body. I'm starting to realise
that's what I'm really busy, learning to withstand, accommodate and
welcome increasing levels of intensity.
I was looking for what Don Juan Matus has said about intensity and found this from "The Power of Silence".
"Intensity
is an automatic result of the movement of the assemblage point......
His assemblage point, by shifting to an unfamiliar position, takes in
more energy than usual. That extra flow of energy is called intensity".
And here is another on how to deal with increasing intensity.
The sorcerers' experience is so outlandish that sorcerers consider it an intellectual exercise, and use it to stalk themselves with. Their trump card as stalkers
, though, is that they remain keenly aware that we are perceivers and
that perception has more possibilities than the mind can conceive.
In
order to protect themselves from that immensity, sorcerers learn to
maintain a perfect blend of ruthlessness, cunning, patience, and
sweetness. These four bases are inextricably bound together. sorcerers
cultivate them by intending them. These bases are, naturally, positions of the assemblage point.
Every
act performed by any sorcerer is by definition governed by these four
principles. So, properly speaking, every sorcerer's every action is
deliberate in thought and realization, and has the specific blend of the
four foundations of stalking. Sorcerers use the four moods of stalking
as guides. These are four different frames of mind, four different
brands of intensity that sorcerers can use to induce their assemblage
points to move to specific positions.
Our
tendency is to ponder, to question, to find out. And there is no way to
do that from within the discipline of sorcery. Sorcery is the act of
reaching the place of silent knowledge, and silent knowledge can't be
reasoned out. It can only be experienced sorcerers, in an effort to protect themselves from the overwhelming effect of silent knowledge, developed the art ofstalking . Stalking
moves the assemblage point minutely but steadily, thus giving sorcerers
time and therefore the possibility of buttressing themselves.
Within the art of stalking
there is a technique which sorcerers use a great deal: controlled
folly. Sorcerers claim that controlled folly is the only way they have
of dealing with themselves--in their state of expanded awareness and
perception--and with everybody and everything in the world of daily
affairs.
Controlled
folly is the art of controlled deception or the art of pretending to be
thoroughly immersed in the action at hand--pretending so well no one
could tell it from the real thing. Controlled folly is not an outright
deception but a sophisticated, artistic way of being separated from
everything while remaining an integral part of everything. Controlled folly is an art. "
I sometimes forget what a momentous gift these writings are.
The
Universe is a Chariot of Intensity!!!! I am aware that this is an
incomplete thought this post and its an ongoing
work, the surrendering to such truths.
Intensity.
Ive been contemplating this subject recently a lot. I have always been
an "intensity junkie" and yet I have also been aware that there are
levels of intensity too much for me to bear at times. Sometimes
situations can cause a shift of assemblage point with the accompanying
intensity and it feels almost too much to bear. Such as certain intimate
encounters....that feeling of complete unity can be too much to bear.
Even had it with a client the other day. We got talking and very quickly
realised we both 'know' and we felt the unity strongly, and it was so
intense and intimate....and I had my professional hat on and all, and it
took me a bit by surprise. Awkward moment as we regrouped our inners in
the professional purpose of our meeting. I am laughing as I remember
how at times I have found something to say in bed, just to break the
intensity. At other times, we might eat something when we are not
hungry, just to slow the vibrational rate to a more familiar and
manageable level. All kinds of ways of avoiding it exist aplenty. All
the self talk and inner dialogue we generate is a way of avoiding
intensity, as are all beliefs and attachments, gossip, TV....the list
goes on....our ego's hate the intensity.
I
am aware that the daily exercise I do is partly to cope with increasing
energy and intensity in the physical body. I'm starting to realise
that's what I'm really busy, learning to withstand, accommodate and
welcome increasing levels of intensity.
I was looking for what Don Juan Matus has said about intensity and found this from "The Power of Silence".
"Intensity
is an automatic result of the movement of the assemblage point......
His assemblage point, by shifting to an unfamiliar position, takes in
more energy than usual. That extra flow of energy is called intensity".
And here is another on how to deal with increasing intensity.
The sorcerers' experience is so outlandish that sorcerers consider it an intellectual exercise, and use it to stalk themselves with. Their trump card as stalkers
, though, is that they remain keenly aware that we are perceivers and
that perception has more possibilities than the mind can conceive.
In
order to protect themselves from that immensity, sorcerers learn to
maintain a perfect blend of ruthlessness, cunning, patience, and
sweetness. These four bases are inextricably bound together. sorcerers
cultivate them by intending them. These bases are, naturally, positions of the assemblage point.
Every
act performed by any sorcerer is by definition governed by these four
principles. So, properly speaking, every sorcerer's every action is
deliberate in thought and realization, and has the specific blend of the
four foundations of stalking. Sorcerers use the four moods of stalking
as guides. These are four different frames of mind, four different
brands of intensity that sorcerers can use to induce their assemblage
points to move to specific positions.
Our
tendency is to ponder, to question, to find out. And there is no way to
do that from within the discipline of sorcery. Sorcery is the act of
reaching the place of silent knowledge, and silent knowledge can't be
reasoned out. It can only be experienced sorcerers, in an effort to protect themselves from the overwhelming effect of silent knowledge, developed the art ofstalking . Stalking
moves the assemblage point minutely but steadily, thus giving sorcerers
time and therefore the possibility of buttressing themselves.
Within the art of stalking
there is a technique which sorcerers use a great deal: controlled
folly. Sorcerers claim that controlled folly is the only way they have
of dealing with themselves--in their state of expanded awareness and
perception--and with everybody and everything in the world of daily
affairs.
Controlled
folly is the art of controlled deception or the art of pretending to be
thoroughly immersed in the action at hand--pretending so well no one
could tell it from the real thing. Controlled folly is not an outright
deception but a sophisticated, artistic way of being separated from
everything while remaining an integral part of everything. Controlled folly is an art. "
I sometimes forget what a momentous gift these writings are.