03-23-2013, 12:03 AM
rosygyro wrote:The way i understand warriorship
it is the decision to take up intelligent co-operation ( symbolised by the yellow rose)
and as the yellow rose is also pivotal to manifestation also choose to abandon the jewel of discrimination.
this is essentually asking your tonal to be cut within the greater purpose for the long term and knowing that
should you survive the term that your assemblage point will have STEPPED its vibration.
this is not a move of fluidity! This is an assemblage move of calculation over time, (calculation stemming from the east)
if you read my post "aztec death ritual" you will see that i also believe in the stage, the screen and the projected image
and that SEERS can witness a vision and depending apon the energy "behind the scenes" or backstage of that vision
also have an effect whilst they percieve apon the greater vision incorporating the "entire" THEATRE,
Within my generation 1976-now.
i know that there are children and adults in the world who make electronic music who have never held an acoustic instrument.
who have learned music from radio and CD through magnetic speakers set to a TEMPO.
and that some music has no WESTERLY ROOT..
i beleive that the children are not just born in our future and hence the east
but also that unfolding technology envelops those children in a way we cannot share.
someday the archtypal drumbeat of ancient wisdom
will place beats in its west and gaps in its east
the archetypal electronic rythm will do the same echoed with machine
and the spear will fly!
anyway i chose ROSYGYRO
Ah thanks for explaining that. Rosy Gyro. When i see the "gyro" i call it "a perpetual motion machine" because it, as you explain, moves on in/with the resonance, and generates power as opposed to consuming it like a furnace. (As is in a dream on first or second page of my public dream thread). The roses...well, two nights ago in my dreaming, the three long stemed roses were...strange. As if they were a rose from a single stem not a bush...and the rootballs had been shaved. But in one rose, their were three small spheres like...onions...these were the seed and secret of the roses. I made use of them by dividing them out, giving away two and keeping the one...i also broke up the root balls that were hidden so the roses could be spread to more gardens. It seemed the roses were red, however...but i took that to be a phase/state. Also, interesting perspective on the music and tones and gaps...yes. and the note on generations...1976...the year i was born. On that note i have a question, that i dont need a real answer too. You say go east, not west? unlike the song that fits as a metaphoric stand in for this perception? (the part after lyrics is the best corolation to seeing on gaps and spirit as you explained better then i have the gumption to do) I guess that is what you are saying. I cant remember if it is you or sacateca who speaks of the west/direction nagual spirit in thttp://www.youtube.com/v/cfGTm_viXPs?version=3&hl=en_USerms of its destructive potential.
it is the decision to take up intelligent co-operation ( symbolised by the yellow rose)
and as the yellow rose is also pivotal to manifestation also choose to abandon the jewel of discrimination.
this is essentually asking your tonal to be cut within the greater purpose for the long term and knowing that
should you survive the term that your assemblage point will have STEPPED its vibration.
this is not a move of fluidity! This is an assemblage move of calculation over time, (calculation stemming from the east)
if you read my post "aztec death ritual" you will see that i also believe in the stage, the screen and the projected image
and that SEERS can witness a vision and depending apon the energy "behind the scenes" or backstage of that vision
also have an effect whilst they percieve apon the greater vision incorporating the "entire" THEATRE,
Within my generation 1976-now.
i know that there are children and adults in the world who make electronic music who have never held an acoustic instrument.
who have learned music from radio and CD through magnetic speakers set to a TEMPO.
and that some music has no WESTERLY ROOT..
i beleive that the children are not just born in our future and hence the east
but also that unfolding technology envelops those children in a way we cannot share.
someday the archtypal drumbeat of ancient wisdom
will place beats in its west and gaps in its east
the archetypal electronic rythm will do the same echoed with machine
and the spear will fly!
anyway i chose ROSYGYRO
Ah thanks for explaining that. Rosy Gyro. When i see the "gyro" i call it "a perpetual motion machine" because it, as you explain, moves on in/with the resonance, and generates power as opposed to consuming it like a furnace. (As is in a dream on first or second page of my public dream thread). The roses...well, two nights ago in my dreaming, the three long stemed roses were...strange. As if they were a rose from a single stem not a bush...and the rootballs had been shaved. But in one rose, their were three small spheres like...onions...these were the seed and secret of the roses. I made use of them by dividing them out, giving away two and keeping the one...i also broke up the root balls that were hidden so the roses could be spread to more gardens. It seemed the roses were red, however...but i took that to be a phase/state. Also, interesting perspective on the music and tones and gaps...yes. and the note on generations...1976...the year i was born. On that note i have a question, that i dont need a real answer too. You say go east, not west? unlike the song that fits as a metaphoric stand in for this perception? (the part after lyrics is the best corolation to seeing on gaps and spirit as you explained better then i have the gumption to do) I guess that is what you are saying. I cant remember if it is you or sacateca who speaks of the west/direction nagual spirit in thttp://www.youtube.com/v/cfGTm_viXPs?version=3&hl=en_USerms of its destructive potential.